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All Roads Lead To Blue Pictures Cinema As ‘Issakaba: The Return’ Hits Cinemas

All roads will lead to Blue Pictures Cinema at City Mall, Onikan, Lagos, on Friday, November 13, as the highly anticipated Nollywood action-thriller, “Issakaba: The Return”, makes its cinematic debut in Nigeria.
Director and co-producer, Lancelot Imasuen, disclosed this during a press screening of the sequel last weekend in Lagos.
“Issakaba” was first released in 2001, and following the continued relevance of its theme, the decision to revisit the classic was hatched. Since the release of its trailer online, many moviegoers have been eager to storm the cinemas to see the much-expected sequel.
And true to expectation, the blockbuster is worth the buzz currently generating ahead of its release. The sequel recaptures the evil that the Issakaba Boys fought 25 years ago, which is still very much with us today, making “Issakaba: The Return” a must-watch.
Speaking at the event, Lancelot recalled how “Issakaba” was born out of real-life events in Aba, following the success of his earlier hit, “The Last Burial”, produced by the late Jude Chukwuka Emelionwu of KasVid International.
“After “Last Burial” was making waves, my attention was drawn to the activities of the Bakassi Boys in Aba. We called a script conference with Reginald Ebere, started discussing casting and characterization, and that was how “Issakaba” was birthed. It was originally titled “My Town” he disclosed.
According to him, the film’s message remains urgent: “Issakaba said security is local. Let traditional rulers, local governments and communities be involved in securing their people.”
He described the last 25 years as “25 years of courage, boldness, deep thinking and advocacy for a peaceful and safer society.”
A blend of action, horror and traditional mysticism, the original “Issakaba” was inspired by the real-life Bakassi Boys, a vigilante movement that emerged in southeastern Nigeria during a period when communities were battling armed robbery and insecurity. Led by Ebube, the vigilante group sought justice where conventional policing failed.
D’Gvnor, as he’s fondly called by colleagues and fans, lamented that 25 years after”Issakaba” was released, the issues raised by the film are still prevalent in society.
The movie will be distributed by Blue Pictures Cinema.
Etinosa Idemudia Opens Up On Most Challenging Movie Roles

For actress Etinosa Idemudia, some movie roles go beyond acting, they test her limits.
In a recent chat with Glitz9ja, , the Edo-born star revealed that two roles in her career have pushed her out of her comfort zone more than any other.
The first was her role as “Izoduwa the Woman King” in the ROK original film “Izoduwa.”.
According to Etinosa, playing a man and a revered Edo monarch at that was both an honour and a huge challenge.
“It was very challenging because I had to play a man. Imagine someone who has never been a man before having to become one and make it believable. Not just any man, but one of the highest monarchs in Africa, an Edo royalty,” she said.
“It was overwhelming, but it made me discover who I am. It tested my resilience, my endurance, my ability to internalize what a man and a king should be.”
She described the film, which tells the story of a girl who disguises as a man because her parents had no male child, as a powerful statement on gender equality.
“It was a gender-equality film showing the world that women are made for so much more. It was an honour to embody that character. I believe I did justice to it, judging from the reviews years after its release. It was timeless.”
Etinosa also named Funke Akindele’s box-office hit, “A Tribe Called Judah” as another project that stretched her.
“Working with Funke Akindele is always challenging in a good way. She brings out the best in you. I love working with her because she pushes me to be a better actor,” she noted.
She added that her film “Greener Pastures” equally demanded a lot emotionally.
“It was a deep, emotional role. The story is about a man who marries and travels abroad immediately, telling his wife to wait. After seven years, he returns with a shock. I had never experienced that kind of pain, so I had to create a backstory and live in that reality. It was exciting, challenging and rewarding at the same time.”
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U.S. Mission Honours Nigerian Creatives Building the Hollywood-Nollywood Pipeline

Nollywood is no longer just Africa’s largest film industry; it is a growing commercial partner for Hollywood. From exchange programs to streaming deals, Nigerian creatives are helping build a stronger commercial connection between Hollywood and Nollywood. The U.S. Consulate General in Lagos honored eight Nigerian creative leaders who helped make that partnership possible, many of them alumni of U.S. government exchange programs. Held under the theme “Reel Connections from Hollywood to Nollywood,” the event brought together leading figures from Nigeria’s film and television industries, senior government officials, creative industry ecosystem supporters, and alumni of U.S. government exchange programs.
Consul General Hudspeth noted that Nollywood is a growing source of content, talent, and investment opportunities for U.S. companies looking to engage with African markets. He highlighted that Nigerian stories and talent are reaching audiences in the United States and globally through U.S. streaming services and digital platforms, from Netflix and Amazon Prime to Apple TV+ and YouTube among others, creating new opportunities for collaboration, investment, and market access.
U.S. Government exchange programs have had a lasting impact in building professional networks and strengthening collaboration between Nigerian and American creative communities. Through programs including the American Film Showcase, Global Media Makers, and the International Visitor Leadership Program, Nigerian creative professionals have connected with American filmmakers, producers, institutions, and other industry leaders, building relationships that extend well beyond the exchange programs. “U.S. government exchange programs are not simply about what happens during the exchange,” Consul General Hudspeth said. “Their real impact is what happens when participants return home — the relationships they bring with them, the ideas they put into action, the creative collaborations they build, and the next generation they inspire.”
The highlight of the evening was the presentation of a posthumous Creative Industry Legend Award to the late veteran actor Olu Jacobs, honoring a remarkable career spanning more than five decades, that took him from the stages and television screens of Nigeria to international cinema, including roles in notable Hollywood films. His sons received the award on behalf of the family.
While presenting the award, U.S. Consul General Brandon Hudspeth paid tribute to Jacobs, describing him as one of Nigeria’s most celebrated actors whose career helped define Nigerian cinema and lay the foundation for reel connections between the film and television industries in Nigeria and the United States. “Olu Jacobs’ life embodied the kind of creative exchange that continues to connect Nigeria’s film industry with the United States and the world,” Consul General Hudspeth said.
The evening’s honorees included Chioma Ude, Founder and Executive Director of the Africa International Film Festival (AFRIFF); celebrated actor and International Visitor Leadership Program (IVLP) alumnus Richard Mofe-Damijo; and award-winning filmmakers Kunle Afolayan and Bolanle Austen-Peters, both alumni of the American Film Showcase’s African Film & TV Leadership Initiative. The reception also recognized Zulu Oyibo, Co-Founder of Inkblot Productions and IVLP alumnus; award-winning producer and Global Media Makers alumnus Josh Olaoluwa; and Emmy award-winning visual development artist Uzoma Dunkwu.
Toronto To Host Miss World 1970 Winner , Jennifer Hosten For Intimate Evening
Miss World 1970 winner Jennifer Hosten will be welcomed to The Hub in Toronto on Saturday, October 31 for “An Evening with Jennifer Hosten.”
Hosten, the first Black woman to win Miss World, will share her remarkable life journey at the event.
The evening will feature an intimate fireside conversation hosted by CTV’s Andria Case, followed by a screening of “Misbehaviour” the film inspired by the controversial 1970 pageant. Hosten will also sign copies of her book.
It was 1970. Black Power was in the air. Across the Caribbean and around the world, Black people were finding a new language for pride, anger, and self-determination.
And right then, a young woman from Grenada took the world stage , becoming the first Black woman ever to win Miss World.

For many across the Caribbean, her victory was deeply personal. In Trinidad, the Mighty Sparrow captured the mood in his iconic calypso:
“Oh how we love cousin Jennifer, And we are all very proud, Charm and mannerisms, poise and magnetism, Stepping in style with that lovely smile.”
That feeling reached far beyond Grenada. Jennifer was family. It was profoundly moving to see West Indian swagger, self-confidence and beauty affirmed in her composure and elegance – celebrated before the entire world.
It was not a simple night. On November 20, 1970, women’s liberation protesters disrupted the live broadcast from London’s Royal Albert Hall. Hosten’s win also drew allegations of favouritism because Grenada’s Premier, Sir Eric Gairy, was on the judging panel claims organizers denied by making ballot cards public.
Race, power and competing ideas about women’s worth surrounded her coronation.
The protesters saw a cattle market; many in the Caribbean saw a Caribbean woman crowned before the world. Hosten stood at the centre of both stories. But what remains most clearly for many is the joy and pride her win inspired.
Years later, Hosten made her home in Canada, and her life beyond the crown has been equally remarkable.

Before Miss World, she trained with the BBC in the 1960s and worked as a broadcaster for its Caribbean Service. She later served as a flight attendant with British West Indian Airways (BWIA) – at the time a jewel of Caribbean identity whose stewardesses were seen as superstars and global ambassadors.
She moved to Canada and in 1978 became Grenada’s High Commissioner to Canada, entering diplomacy. She later became a Canadian citizen and worked in international development and trade with Canada and the Organisation of Eastern Caribbean States.
At 60, she chose another path of service, pursuing higher education and training as a psychotherapist – supporting others to navigate the complicated inner lives we all carry.
The Toronto event promises a rare opportunity to celebrate not just the historic moment of 1970, but the full, thoughtful and inspiring life that followed.
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Regina Daniels Makes Powerful Statement In Stunning Post-Birthday Photos

Nollywood actress Regina Daniels has sent social media into a frenzy with a series of stunning pictures in a deep red outfit, days after her birthday.
The actress, who celebrated her birthday on Saturday, October 10, had earlier shared a reflective post revealing that her health condition has left her dependent on a wheelchair.
But her post on Sunday changed the narrative, as she posed glamorously in a red outfit – standing.
Daniels embraced vintage glamour in a strapless dress featuring wings, and a dramatic open-chest style that revealed her enduring beauty. She kept the caption simple but powerful on her Instagram page: “I’m still here.”
The bold and elegant look instantly went viral, with fans and colleagues praising her timeless beauty, resilience and main character energy.


